Archive for the ‘Events’ Category
This was posted on Montreal Film Group’s website so I thought I would repost the info for Super U members in the Montreal area in case you haven’t heard about this interesting event:
What: Mingle and network with emerging filmmakers and musicians, find a partner to apply to Making Music 3 or just come and learn more about the program. An excellent way to get MM3 info before the project’s submission deadline on November 10th.
Date & Time: Thursday, October 30th, 2008, 7:00pm – 9:30pm
Location: Le Centre St-Ambroise
Address: 5080 St-Ambroise (in St-Henri)
Description: MM3 from A-Z! Come and make your short experimental film with the NFB! Are you a filmmaker or a musician? Do you have some experience making films or music? Are you ready to collaborate, think outside the box, unleash your creativity and redefine what films about music are supposed to be? Then check out Making Music 3! Visit the MM3 Facebook Group “Making music with the NFB” and come to MM3 from A-Z an event presented in association with the MFG on Thursday, October 30th at le Centre St-Ambroise (5080 St-Ambroise), 7pm – 9:30pm. Come meet local emerging musicians and filmmakers! Network with other artists, watch some previous ‘Making Music’ films and meet the NFB staff. It’s an evening of mingling and talking about Making Music (and making films!). If you couldn’t make it to Jem Cohen’s master class at Pop Montreal, then you can’t miss MM3 from A-Z. Don’t have a partner to apply to Making Music yet? Simply bring your business card and samples of your work and we’ll help you find a match!
Presented by the NFB in partnership with Pop Montreal and in association with Third Side Music, The Montreal Film Group and CKUT.
To help you network and share your work with others on Oct. 30th, the NFB has come up with a little plan, they write:
“We’d like to compile a list of filmmakers and musicians with contact info and descriptions of the kind of work you do and give it out to everyone who comes that night… that way people can go home and explore the work of so many wonderful local artists… Also, we’d like to compile a playlist with .mp3s and burn it on a Audio CD to give out for free that night so that people can, again, go home and listen to your work… sounds good? If so, here’s what we’d need from you:
IF YOU ARE A FILMMAKER
Send an email to email@example.com by Monday October 21st including the following:
HYPERLINK (SuperU, Website, etc.)— 1 only please!
WORK: 3 words that define the kind of work you do—only 3 words!
IF YOU ARE A MUSICIAN
Send an email to firstname.lastname@example.org by Monday October 21st including the following:
HYPERLINK (YouTube, Website, etc.)— 1 only please!
WORK: 3 words that define the kind of work you do—only 3 words!
MP3: Send one .mp3 file named in the following way: ArtistName_SongName.mp3
Please note that if you send the .mp3 file you are agreeing to letting the NFB put it in a Making Music 3 CD that will be distributed for free only during the event on October 30th. About 200 copies will be made.
Now, if you do not want to be on those lists or on the CD, that’s ok… we still want to meet you so come out on October 30th! Find out more about the program, watch a couple of previous “Making Music” films and network, network, network!
What movie am I seeing? It’s the 3rd week of the Vancouver International Film Festival, but it feels like week 17 and counting. Last night, Keith Dallas, one of the stars of the upstart Control Alt Delete walked into the theatre and asked me: “Is this Control Alt Delete?” You get the picture.
So, thank goodness for the bright spots (especially if you’re in Vancity looking outside today):
1. When Life Was Good – Terry Miles, director, spied heading into Neptoon Records on Saturday, breathed indie cred into the festival with his guided improvisational dramedy. You had to be at the October 2nd screening to find out what made star Casey Manderson slink off in embarrassment during the Q&A. Check out the vlogs on SuperU for behind the scenes coverage.
2. Control Alt Delete – Once all the stars were seated, writer & director Cameron Labine‘s debut really got smoking. His brother Tyler Labine is the lovesick Lewis, computer programmer by day, internet porn addict by night. Yup, the synopsis says it all, but there’s so much more. And, for me, having known Cam so long, it’s interesting – if not a little creepy – to see the repeating themes in his work. Check it out in theatres in the spring.
3. RR – My secret guilty pleasure is the purely experimental feature by James Benning. A 111-minute-long film composed of 40-odd static shots of trains. Oddly poetic and sometimes highly entertaining, the first half-hour was good, the second – when the guy beside me started snoring – was tough, but the last 30 minutes was a breeze. In full disclosure Mr. Benning: yes, I was the drunk woman lunging at you at the Gala in 2007; a coincidence that you didn’t attend the VIFF this year?
I thought I (“I” being Jenny, a proud alumni of the Super U camp) would drop by and share some interesting news that sort of jumped into my lap when I was enjoying some barbecued tofu at Main Street’s finest veggie eatery, Foundation. Well maybe “jumped into my lap” is a little dramatic but the “news” – which happened to be printed across a red and grey postcard – certainly did fluttered down through the air and land at my unsuspecting feet as I waited in line for the bathroom.
MEET THE FILMMAKERS is an event being put on by Cineworks September 29th – October 10, 2008.
“In its 14th year at the Vancouver International Film Festival, Meet The Filmmakers is about the realization of ideas and the revelation of process. These informal and insightful panel discussions with filmmakers attending the festival provide a rare opportunity for the festival audience to engage in meaningful dialogue with the creative visionaries of modern cinema.
Meet the Filmmakers will feature directors, producers, writer and actors whose work is featured at this year’s Vancouver International Film Festival. Expect seminars on low-budget filmmaking, shorts and documentaries, women in film, screenwriting, political activism, film artistry, new technologies and much more. No reservations are required and everyone is welcome–just bring your love of film and prepare to be inspired!”
This looks like a really great series. I’d highly recommend checking out some of the events which are listed right HERE.
So that’s it for my “news” folks – well at least for tonight. Unless of course you want an in depth review of my vegetarian dinner for that check out Super U’s upcoming Food Blog. Heh, just kidding.
– Jenny Charlesworth
I had the pleasure of seeing the Co-Creators of Robot Chicken (Cartoon Network, Adult Swim), who were the keynote speakers on Thursday at the OIAF. Seth Green (you know him as Scott Evil from Austin Powers) and Matt Senreich produce this stop-motion sketch comedy series and are real fans of animation, actors and pop culture. They came up with the idea in 2000 – before broadband – and told some entertaining storiesabout the early years of fedexing huge tapes coast to coast, working full-time at day jobs and getting by on 3 hours of sleep a night for 9 months. They had some great advice: Make a demo or a pilot (to compensate for the utter lack of imagination of the people you’re pitching to – Green’s words).
Green also said that the immediacy of the internet makes it a great place to use as a launching pad. I really agree with that – lots of animators at the conference are talking about the ability to make something and have it seen by people almost instantaneously. We really hope that they’ll take advantage of the new animation contests here at Super U. Watch this space tomorrow for special details about the contest announcement on www.superu.ca
Welcome to a special series of posts from the Ottawa International Animation Festival. This morning, the Television Animation Conference started off with a bang – the Government of Brazil announced that they have co-production funding available for animation. (Let me know if you’re interested and I’ll track down the contact info.) The keynote speaker was Brown Johnson, President of Animation for Nickelodeon which sounds like a fun place to work: they have fun houses at Halloween, funny car competitions and tie day on Friday. I wonder if Super U will beat them to the first annual “underwear on the outside day”?
The Pitch This! session pitted enthusiastic animators against experienced commissioners from CBC Kids, Teletoon, PBS Kids and Jetix. At breakfast, I sat with the guys who were pitching The Mulligans – a series set around a kids’ golf school – and they were sweating bullets. I admire their chutzpah. Here’s some great feedback I gleaned: Complex character descriptions can be used to fuel the storyline. And: defining the age-range is crucial when pitching. If you’re an animation creator, here’s the scoop on what the Canadian ‘casters are looking for: Teletoon wants boy comedy and teen/tween dramedy, CBC is taking pitches for shows for 4-6 year olds, and a 7:30 am before school show with a broad appeal for young families and they’re looking for shorts.
Stay tuned for some exciting news about animation contests on Superu.ca.
Gotta run to Happy Hour! Here’s a shot of me by the National Gallery of Canada.
I just heard that Tommy Chong was on the CBC quiz show “Test the Nation”. He was answering questions for the Reach for the Toppers team. We used to watch Reach for the Top during Sunday night dinner, just after The Beachcombers. We had a family friend, Donald Wilmer, who was on the show, so he became kind of a celebrity for a while. Anyone know how Tommy did? I know he was a great juror for SuperU.ca’s It’s Hilarious contest.
TIFF Special Report from Marguerite Pigott:
Hi all, and welcome to Super U’s first blog from TIFF. The festival has been going for a few days now, and I honestly don’t know when other folks find the time to blog! TIFF has been fast and furious, and Canadian films are front and centre.
I particularly loved Atom Egoyan’s latest, Adoration, and Philippe Falardeau’s film, It’s Not Me, I Swear! Adoration is, I think, the most emotional film Egoyan has made. It is vintage Egoyan – cerebral, inquisitive, philosophical and highly original. But where previous films had an emotional restraint that some find cold, Adoration does not. The ending was genuinely moving. Okay, I’ll admit it; Atom Egoyan made me cry. Whodathunk?
And Philippe Falardeau’s latest is a wonderful extension of his previous films. I was a big fan to start with. I loved Le Moitie Gauche du Frigo and Congorama, so my expectations were pretty high. As always, he exceeded them. The story is beautifully balanced between sorrow and comedy, and the performance of the boy at the centre of the film is absolutely remarkable. When the young actor came on stage after the screening, he got a long, loud standing ovation from the 900 strong crowd.
Bruce McDonald’s film Pontypool is also getting a lot of attention. Last year he set the Festival on fire with The Tracey Fragments – an innovative and totally compelling film – so I couldn’t wait to see Pontypool. Clearly, a lot of other people felt the same way. The industry screening was this afternoon, and for the first time, I was turned away from a TIFF screening because the theatre was filled to over capacity. And there was already a long line of industry types outside the theatre, hoping that people inside might leave, so they could grab their seats. Brian DePalma got turned away too, so I was in pretty good company. I’m going to try again on Friday, but if you’re not at TIFF, or if you are at TIFF but you’re averse to line ups, you’ll be able to see it on Super Channel, so keep an eye out for it.
Of course a huge part of TIFF is the parties. One of the parties I look forward to every year is the Canadian Film Centre barbecue. In twenty years of CFC barbecues it has never rained, but the CFC’s luck ran out today. It rained and rained, but the party was still great. Everyone crowded into a few big, white marquees, and those used to ‘working the room’ learned to ‘work the tent’. The grounds got very muddy very fast – women wearing high heels gave up and went barefoot. The ankle deep mud in the field-turned-parking lot was evocative of the fields of Passchendaele, so I suppose it was kind of appropriate. In any case, the party was as great as it has ever been. The food was good, the company was even better, and maybe the fact that we all defied the weather made the party even a bit more special than usual.
One of the things I love about the festival, and about the parties in particular, is that they remind me why I work in Canadian film – not always an easy gig, as you know. Everywhere I turn at the festival, I see people I genuinely care for; people I’ve worked with, people I know from ‘around’ or people whose work I’ve admired for years. We’ve all made an investment in this industry and in each other, and even when it rains like hell, we all keep showing up. If I have to be soaked with rain and crowded into a tent, I can’t think of a bunch of people I’d rather be with.
I’m going to keep blogging from the festival, so please keep an eye out. I’ll be posting a ‘market update’ with insight from international sales agent Mark Horowitz of H2O, and at the Strategic Partners conference at the Atlantic Film Festival, I’ll be interviewing Niv Fichman and Don McKellar (Producer and Screenwriter of Blindness, respectively) at a luncheon sponsored by the Academy of Canadian Cinema and Television. If you have a question you’d like me to ask Niv or Don, please let me know. I’ll be posting here after the interview, and I’ll let you know all about it.
Thanks for reading, Marguerite
While all eyes are on Toronto tonight as the big name stars slowly trickle into town for another installment of TIFF – well all of them except Tea Leoni who cancelled her appearance last minute to mostly likely look after her “ailing” husband – Vancouverites should really readjust their gaze and look up, way up, all the way up to the roof of a certain parking garage in Gastown. Why, you ask? Well the newly founded Urban Arts Society will be taking over the Water Street parkade tonight (and additional dates: September 10 & 17) and converting the sky-high parking lot into a drive-in movie theater.
All the movies that will be shown are Vancouver-shot films in accordance with the event’s themes. “The inspiration for the series Vancouver Stars as Itself really comes from the site itself,” said the society’s cofounder, Peeroj Thakre, in an article in The Vancouver Courier. Adding, “The site has classic views of Vancouver–mountains, water, the downtown towers, and that really spawned the idea of showing Vancouver as itself.”
Tonight’s film is Hard Core Logo
Gates open at 7:30 and film is at 8:30. Any other info you might need is at EasyPark Drive-In
It looks like a great way to say goodbye to the last days of summer and also a wonderful way to get to acquainted with HCL’s Canadian director, Bruce McDonald – word has it he’ll be at the Irish Heather afterwards for those of you looking to do a bit of networking.
The dreaded six-word phrase uttered by would-be celebs from airports to restaurants worldwide. Now that we’re heading into festival and market season in Canada – Toronto, Atlantic, Ottawa Animation, Vancouver are all in September – it’s time to tell the world who you are by updating your bio for the delegate book.
Robert Wong, Director of the Provincial Tax Credit program for the film and television industry in BC, used to submit fake bios. He included record of his participation in the Extreme Shredding finals of the Tax Credit Games in which he lost both hands and had them replaced with flamethrowers. Bob was the hit of Strategic Partners!
In my fake life, when I am unable to find work in my chosen field as muse to Clive Owen, or find my career as pharmacist to Anna Nicole Smith abruptly ended, I decide to take a day job. So, here I am at Super U! In my spare time I enjoy green tea, macrame, visiting my friends in rehab and planning for my next police car chase to be broadcast live in prime time.
The 20th Anniversary Vancouver Queer Film Festival opened last night with this rousing cheer from the packed house: “Like a virgin / touched for the very first time…” We were honouring the amazing people who started up and have made this festival grow into the must-see, must-do event it is. And we were celebrating the Opening Gala Film, “Like a Virgin” from South Korean filmmakers Lee Hae-yeong and Lee Hae-jun about a boy dreaming about Madonna and wishing for his own sex change operation.
I started off the night with my colleague Dino (our superuvoyeur) in the sweatiest, thirstiest, most animated VIP reception anywhere. We talked to a few filmmakers, including Gwen Haworth (“She’s a Boy I Knew“) who will be one of the judges for our exciting new SuperU contest “Out There” for films by and about the Gay, Lesbian, Bisexual and Transgendered communities. Then we stood in the corner and sweated some more, Dino gallantly tossing me a piece of bread – dinner!
Now, I don’t read movie synopses before the film, so I got all my info from Dino, who told me that the movie was about a boy who competes in a Madonna impersonation contest to win money for his sex change operation. Actually, It turned out that the movie was about a boy who trains and competes as a wrestler in order to win money for his sex change operation so that he can take part in a Madonna impersonation contest. (There’s a slight difference there, Dino.) While waiting for the lip-synching to begin, I was pleasantly surprised to be introduced to the traditional Korean wrestling practice called SSireum.
Look for Super U at a couple of upcoming screenings we’re sponsoring: The Coast is Queer (Monday Aug 18, 7 pm Tinseltown), Confessions of a Sorta Str8 Drag King (Saturday Aug 23, 7 pm Tinseltown). All the details are at the VQFF website.
Gotta run, it’s Friday and it’s hot.